Noora Niasari
Young woman in black and white, looking at the camera with her dark hair tied back. She is wearing an off the shoulder white top.

Bachelor of Design in Architecture, 2010

Faculty of Design, Architecture and Building

Born in Iran and raised in Australia, Noora Niasari’s childhood not only shaped the person she is today – it’s become a powerful platform. Now a film writer and director, Noora uses her work to highlight under-represented stories. 

Her debut feature film ‘Shayda’, executive produced by Australian actor Cate Blanchett, has left an indelible mark on audiences worldwide. Drawing from personal experience, the film explores the challenges an Iranian mother faces as she seeks refuge from domestic violence. It sheds light on the Iranian diaspora experience and the struggles of Iranian women. Since its release, ‘Shayda’ has garnered international critical acclaim, including winning the Audience Award at the 2023 Sundance Film Festival and being selected as Australia’s submission for the Best International Feature Film at the 2024 Oscars.

It was during her time as a Design in Architecture undergraduate at UTS that Noora re-discovered her passion for cinema, encouraged by then mentor, Richard Goodwin, to become a storyteller. The seed was first planted at age 7 when her mother introduced her to the late Iranian filmmaker Abbas Kiarostami’s ‘Where is the Friend’s House?’. At the time, Noora would never have guessed that less than 20 years later, Kiarostami himself would mentor her in a filmmaking workshop in Barcelona. A dream come true for Noora, this mentorship and her background in architecture have influenced her visual style and narrative approach. 

With an emphasis on curiosity and personal identity, Noora’s filmmaking style is notable for its emotional depth and authenticity. Addressing the sensitive issue of domestic violence, ‘Shayda’ resonates with survivors and advocates across countries and cultures. The film has sparked important conversations about domestic abuse and the need for support resources.

Noora continues to focus on stories that shine a light on Iranian women, currently working on an adaptation of Mahsa Rahmani Noble’s novel ‘Raya’. Her ongoing work is a powerful vessel for representation and cultural understanding in cinema.

It’s not about the piece of paper but what you learn about yourself along the way. Stay curious and open to the world. And never let rejection stop you from pursuing your dreams.

Acknowledgement of Country

UTS acknowledges the Gadigal people of the Eora Nation, the Boorooberongal people of the Dharug Nation, the Bidiagal people and the Gamaygal people, upon whose ancestral lands our university stands. We would also like to pay respect to the Elders both past and present, acknowledging them as the traditional custodians of knowledge for these lands.