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Jamie Lipsham: from UTS to VFX trailblazer

VFX production coordinator Jamie Lipsham has been successful in the film and TV industry, working on many big productions in recent years.

At Industrial Light & Magic, George Lucas's renowned visual effects house, Jamie's impressive portfolio includes projects such as Indiana Jones and the Dial of Destiny (2023), The Gray Man (2022), Obi-Wan Kenobi (2022) and The Batman (2022).

A lifelong passion for creativity

From an early age, Jamie was drawn to the world of creative arts. Her enthusiasm continued through high school, where she completed a Certificate III in Live Production and Technical Services, excelling in the HSC Entertainment Industry course.

“Growing up, I always wanted to be in and around anything creative. Pots, pans and wooden spoons were my favourite childhood toys – I just wanted to make noise and put on a show.”

Jamie’s early experiences included working at over 10 locations, such as the Hawkesbury Show, Roslyn Packer Theatre and Joan Sutherland Theatre. These opportunities helped her develop a solid foundation in audio, lighting, staging, and vision systems.

Portrait of Jamie Lipsham.

“This has all funnelled to where I stand now: the first Indigenous Australian to be working at Industrial Light & Magic, Sydney.”

Jamie Lipsham

VFX Production Coordinator and UTS graduate

Honing skills at UTS

Jamie’s passion for sound and production led her to UTS, where she pursued a Bachelor of Communications, majoring in Music and Sound Design.

At UTS, Jamie collaborated with design students on short, animated films which were featured in the 2019 Microflix Film Festival. This experience enriched her appreciation for innovation, work ethic and strong collaboration skills. 

Breaking new ground at Industrial Light & Magic 

Jamie’s journey culminated in her becoming the first Indigenous Australian to work at Industrial Light & Magic, Sydney. Her role as a VFX production coordinator involves coordinating complex projects and ensuring seamless implementation of visual effects for major films and TV shows.

“This has all funnelled to where I stand now: the first Indigenous Australian to be working at Industrial Light & Magic, Sydney.”

Jamie continues to build her portfolio with stunning audiovisual works and interactive sound art projects. She describes herself as a “young, inventive, articulate Indigenous Australian” who has extensive experience in the organisational and technical aspects of creative arts production, as well as sound design for film, animations, games and podcasts.

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Jamie on Wrangling Artists at ILM

(00:03:19)

Jamie Lipsham discusses how opportunities to learn new things have been essential to her success.

Jamie on Wrangling Artists at ILM transcript

I've always been that kid that played on pots and pans and liked to put on a show. And I think that's really cool to be doing this for work. I'm making shows for work. It's not something I do in my down time anymore. Movies are still cool, and it's cool to work on them.

I'm Jamie Louise Lipsham. I'm a PA, a Production Assistant, so I'm kind of the one managing everyone's schedules, making sure everyone's where they need to be and doing what they need to do. And just running around and getting people there. 

I kind of imagine the VFX pipeline as a physical pipe in my head. There's lots of leaks and outlets, but I picture there to be, like a giant city on top, that's like the film or whatever's in production. And each little leak is where things pop out to get worked on. And then jump back in the pipe and flow down a little bit further until we eventually get to a finished production. 

You need, in a creative industry, to be adaptable and think on your feet. Be ready for change and have as much preparation as possible. Just so you're ready for when things inevitably go wrong, or change, 'cause they always do.

I've been really lucky to have people that genuinely can't help enough. So I've taken that on board, and I'm the poster child of asking a million and one questions and getting things right, and getting things wrong and learning from that. I would probably recommend to get involved in all the workshops available.

There's a lot of free ones. Some are very cheap, if not free. High school and uni is how to time manage really well, and be adaptable and ready for change, and learn things that might go over your head at first.

My granddad has been an amazing part of my life, and he always said, "Take every opportunity you can. Doesn't matter if you earn a little less money, or have a little less time on a Friday night.

Just take it and get that experience. And even if you hate it after six months, then jump out, but you still got whatever that taught you behind your belt."

My degree. It taught me a lot more than just a piece of paper. My adaptability. I've managed to overcome a lot of small and big challenges.

Definitely my way with words, I would think, has got me places. I feel like a lot of indigenous people, specifically, in Australia, don't think that there's a place for them in industries and companies like this. But I can tell you there is. Um, I'm here. I'm doing it. There's a space for me so there's a space for you.

Get in the door.

Always ready for the next challenge

Jamie remains eager to connect and collaborate with others in the industry. Her dedication to continuous learning and innovation makes her an invaluable asset to any creative project.

Jamie Lipsham’s story is one of passion, resilience and groundbreaking achievements. Her journey from a young creative enthusiast to a trailblazer in the visual effects industry is an inspiration for aspiring artists and professionals everywhere. 

Catch this informative video interview with Jamie talking about working at Industrial Light & Magic as part of the Lucasfilm documentary series Get In The Door

Connect with the UTS FASS Indigenous Land and Justice Research Group and The Centre for the Advancement of Indigenous Knowledges

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